Thieves Among Us Poster

Because I Can Productions  ·  Confidential Investment Opportunity

THIEVES
AMONG US

A Marlyn Bandiero Film

Ex-Marines. One last heist. A crypto-laundering empire hiding in plain sight. When loyalty and crime share the same zip code — trust becomes the most dangerous currency of all.

Seeking $3,000,000

Min. $100,000 per position  ·  15% ROI

Crime  /  Thriller  /  Heist  ·  Feature Film

01 / 10

The Proof of Concept

FROM AWARD-WINNING SHORT FILM TO FEATURE

Before a single investor dollar is at stake, this film has already earned its credibility on the international festival circuit. Standoff — the proven short film that became Thieves Among Us — competed across multiple continents and won. This is a proven concept with a proven team.

10
Festival Wins Worldwide
15
Total Nominations Worldwide
PROVEN
Worldwide Concept
Standoff
Standoff
The Award-Winning Short
Becomes
Feature Film
Thieves Among Us
Thieves Among Us
The Feature Film

10 Wins  ·  15 Nominations

Best Drama Thriller · Best Female Director · Best Actor · Best Ensemble Venus on Broadway International Film Festival
Best Director Drama Short · Best Editing Drama Short NYLIFF — New York Long Island Film Festival
Best Cinematography Los Angeles Crime & Horror Film Festival
Breakthrough Filmmaker of the Year — Marlyn Bandiero 11th Annual Top Shorts International Film Festival
Best Crime Film Golden Swan Zurich Film Festival
Best Crime Film Top Shorts International Film Festival

+ 5 additional nominations including Best Actor, Best Actress, Best Sound, Best Screenplay (NYLIFF) and Best Drama Short (NY Cinefest Film Festival)

02 / 10

The Film

THE STORY

A crew of ex-Marines — bonded by combat, fractured by betrayal — execute one final heist against a crypto-laundering fortress buried inside Miami's digital underworld. What starts as a job becomes a reckoning. Loyalty is tested. The lines between soldier and criminal dissolve completely.

This is not a genre film. It is a character study wearing the skin of a heist thriller — the psychological weight of Heat with the surgical precision of Inside Man. Set against a world where cryptocurrency and crime are indistinguishable.

Comparable Films

HEAT INSIDE MAN WIND RIVER NIGHTCRAWLER MARGIN CALL

Setting: Miami's digital underworld — crypto, crime, and the ghost of military loyalty. A city where new money and old violence live in the same building.

Marlyn Bandiero Directing
Director at Work
On Set — Camera
Production in Action
03 / 10

Leadership

THE PRODUCERS

The people behind Standoff's 10 wins. The same team bringing Thieves Among Us to screen. Their track record is not theoretical — it is on the award shelf.

Thieves Among Us is one of several film and TV projects currently in development within the Because I Can Productions portfolio. Investors in this project are partnering with a production company that is actively building a slate — not a single-project operation.

Al & Marlyn Bandiero with Awards
Al & Marlyn Bandiero  ·  With Festival Awards
Red Silk Carpet Magazine Cover
Red Silk Carpet Magazine  ·  Cover Feature
AL BANDIERO
Actor · Producer

Al launched his film career in Rocky IV, personally selected by Sylvester Stallone, who became a mentor. He starred in 72 episodes of Fox's Desire — broadcast to 96% of U.S. households and aired in 52 countries. He appeared opposite Golden Globe winner Gina Rodriguez in Go For It (Lionsgate/HBO). As a legendary New York radio voice, Al dominated KTU and HOT 97, voiced national campaigns for Revlon and Volvo, and hosted syndicated programming nationwide. He stars in and produces the award-winning short Standoff.

MARLYN BANDIERO
Writer · Director · Producer  ·  Named One of 30 Filmmakers to Watch in 2025

Born in Havana, raised in New York City, Marlyn holds a degree in International Affairs from Manhattan College and began her career at the United Nations. A multilingual storyteller fluent in four languages, she co-founded Because I Can Productions after years in global fashion and media. She wrote, directed, and produced the award-sweeping short Standoff. Her children's book series Dante's Cool Wheels is distributed globally. She is developing multiple film and TV projects. Standoff won 10 awards because of her vision. Thieves Among Us is that vision at feature scale.

04 / 10

Talent

THE CAST

Confirmed cast returning from Standoff. These actors already lived these characters — and the festival circuit awarded every one of them for it.

Al Bandiero
"Ace"
AL BANDIERO
Rocky IV  ·  Fox's Desire (52 countries)  ·  Go For It (Lionsgate/HBO)
Michelle Lukes
"Sable"
MICHELLE LUKES
Strike Back (Cinemax)  ·  MacGyver  ·  Halo: The Fall of Reach
Tomy Dunster
"Viper"
TOMY DUNSTER
Shadowboxer  ·  Desire (52 countries)  ·  All My Children
Joe Tabb
"Shadow"
JOE TABB
Made in Brooklyn  ·  Desire (52 countries)  ·  Saints & Sinners

Director's Vision Cast

The director's vision for the key role of Willensky

Jonathan Rhys Meyers
Jonathan Rhys Meyers
Mission: Impossible 3
Ryan Phillippe
Ryan Phillippe
Crash
John Travolta
John Travolta
Pulp Fiction
Shea Whigham
Shea Whigham
Mission: Impossible 7 & 8
05 / 10

Crew

PRODUCTION TEAM

Every single department head on this film has major studio and streaming credits. Spirit Award nominees. ADG nominees. Composers of global box office hits. An entertainment attorney who has closed over 200 deals worldwide. You are not financing a dream — you are backing a machine that already knows how to deliver.

Frank G. DeMarco
FRANK G. DeMARCO
Cinematographer

3-time Independent Spirit Award nominee. Shot All Is Lost (Robert Redford), Bruised (Halle Berry, Netflix), Margin Call. When investors ask "will it look like a real film?" — Frank is the answer.

Mark Crump
MARK CRUMP
Line Producer / UPM

50+ film and television productions. Credits include The Hill, Agent Game, The Conjuring: Devil Made Me Do It. He is the person who makes sure the budget holds and the schedule stays real.

Elia Cmiral
ELIA CMIRAL
Composer

Award-winning composer of Ronin and Stigmata. His scores do not decorate films — they drive them. A tension-heist thriller needs music that makes the audience lean forward. Elia delivers that.

Carlos Menéndez
CARLOS MENÉNDEZ
Production Designer

3 Art Directors Guild nominations. Credits include Madoff (ABC), Miami Vice (Universal), Bad Boys. His sets look like real money — because they are designed by someone who knows exactly how to spend it.

Ken Blackwell
KEN BLACKWELL
Editor

Blockbuster credits across multiple genres. Edited The Nun, The Expendables, Indestructibles 2. Pacing is everything in a heist thriller — Ken has cut some of the highest-tension sequences in recent independent cinema.

Bianca Goodloe
BIANCA GOODLOE
Entertainment Law & Distribution

CA Bar · NY Bar · EU Advocate · 200+ productions. Credits include Bourne Identity, Once Upon a Time in Hollywood. She has closed global film deals with major distributors. She is committed to this film's worldwide sales — before a frame is shot.

06 / 10

Market Opportunity

THE NUMBERS DON'T LIE

The crime and thriller genre is one of the most durable, audience-driven categories in global film. It does not rely on franchises or IP — it runs on story, tension, and character. That is exactly what this film delivers.

$510M+
Crime & thriller genre worldwide gross in 2024. Audiences are not retreating from this genre — they are going deeper into it on every platform.

Why $3M Is The Sweet Spot

Large enough to deliver studio-caliber production value with a marquee DP, name composer, and seasoned crew. Lean enough that profitability does not require a theatrical blockbuster — streaming and international sales alone can close the return.

The Crypto Angle Is TimelyCrypto-crime narratives are a proven draw in 2024–2025. Streamers are actively seeking content in this space. This film is positioned to land exactly when the market wants it most.

Financial Comparables — Crime / Thriller

TitleBudgetRevenueReturn
Buried$2M$21.3M10.5×
Whiplash$3.3M$50.4M15.3×
Margin Call$3.5M$19.5M5.6×
Nightcrawler$8.5M$47.4M5.6×

Revenue includes theatrical, VOD, streaming licensing, and ancillary markets.

$3M
Our Budget
15%
Investor ROI
07 / 10

Investment Structure

YOUR POSITION

A straightforward equity structure. No complexity. No hidden mechanisms. You put money in, you are first to get it back — at a premium — before anyone else sees a dollar.

Total Production Budget
$3,000,000
Minimum Investment Per Position
$100,000
Investor Return on Investment
15% ROI
Recoupment Before Any Net Split
115% of Investment
Net Profit Split (After Recoupment)
50% Investors  /  50% Producers
Profit Share Basis
Your investment percentage determines your share of the project's distributable profits

Illustrative Return Example

$300,000
Investment
$345,000
At 115% Recoupment
+Upside
50% Net Profit Share

Based on a $300,000 investment (minimum position). Recoupment is guaranteed before any profits are distributed to producers. Net profit participation is additional upside beyond the recoupment figure. This is illustrative only — actual returns depend on distribution performance.

How Investors Get Paid

01
Investors are paid first. All revenue flows directly to investors until 115% of the total investment is fully recouped. Producers receive nothing until you are made whole — plus your return.
02
Net profits split equally. After full recoupment, remaining net profits divide 50/50 between the investor pool and producers on a pro-rata basis.
03
Your share scales with your position. Your investment percentage determines your share of the project's distributable profits at every stage.
04
Multiple revenue streams feeding your return. Streaming, VOD, international sales, cable licensing, theatrical, and ancillary markets — every channel flows back to investors first.
08 / 10

Investment Structure

WHAT MAKES THIS A STRUCTURED INVESTMENT

Six concrete pillars that work in your favor from the moment the investment is made — not after the film is released.

§
NJ State Film Tax Credit — 30–39%
New Jersey's refundable tax credit on qualified production expenses acts as immediate cash-back on costs — reducing the effective capital deployed from day one, before a single frame is shot.
First-In Recoupment — 115%
Investors recoup 115% of their investment before net profits are distributed to anyone. You are first in line. Every time. No exceptions written into the agreement.
Completion Bond — Third-Party Guarantee
A completion bond guarantees the film is delivered on time and on budget. If production fails to deliver, the bond company steps in. Standard practice on every professionally financed independent film.
Bianca Goodloe — Entertainment Law & Sales
CA Bar · NY Bar · EU Foreign Registered Advocate. 200+ productions. She has negotiated film deals worldwide with major distributors and has committed to leading worldwide sales negotiations for this film pre-release.
Distribution Strategy Secured Pre-Production
Distribution is not being figured out after delivery. Bianca Goodloe has committed to securing a top-tier global sales agent. A domestic deal (US & Canada) will be negotiated upon completion. No guesswork.
Market-Validated Story & Team
Standoff — the source material — won 10 awards across the global festival circuit. The market has already validated this story, this director, and this genre. You are not betting on a first-time concept.
09 / 10

Exit Strategy

HOW MONEY COMES BACK

Distribution is not being figured out post-delivery. Attorney Bianca Goodloe, working with seasoned global sales agents, has committed to handling all worldwide sales efforts. A domestic deal (US & Canada) will be negotiated upon completion. Every revenue stream below feeds investor returns first.

Revenue Streams

Streaming (Netflix, Amazon, Apple TV, Hulu)
PRIMARY
International Sales
MAJOR
Domestic Cable (AMC, Showtime, STARZ)
STRONG
VOD / Cable on Demand
ONGOING
Box Office / Theatrical
UPSIDE
Ancillary (DVD, Network TV, Licensing)
LONG TAIL
Why Distribution Is Already Secured

Attorney Bianca Goodloe does not take on projects without a clear path to market. Her commitment before production begins is the strongest signal that distribution is not a risk — it is already in motion. She has negotiated deals with Netflix, Amazon, and major international distributors on 200+ productions.

Marketing & Audience Strategy

Festival Circuit First. Targeted domestic and international festival submissions to build streamer interest, press coverage, and award momentum before any distribution deal is signed.

Pre-Release Social Campaign. Teaser trailer and poster launch across all platforms. Daily behind-the-scenes content on YouTube to build a committed pre-release audience.

Media & Podcast Outreach. Film bloggers, micro-influencers, and targeted press. Podcast appearances reaching audiences already primed for crime, thriller, and finance content.

Dedicated Film Website. A branded, professional web presence built to convert casual interest into ticket buys, streaming views, and press coverage.

Your Next Move

DON'T MISS
THIS OPPORTUNITY.

One film. A story that already proved itself to judges, festival programmers, and audiences on three continents. Now we are making it at scale — with the crew, the cast, and the structure to deliver. The only question is whether you are in. This round closes when positions are filled. There is no second window.

CONTACTSAl & Marlyn Bandiero
PHONE917-501-2076
EMAILinfo@thievesamongusfilm.com
WEBthievesamongusfilm.com
Because I Can Productions
Confidential Informational Overview  ·  Because I Can Productions  ·  Not For Distribution  ·  All Rights Reserved